Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Sunday, January 28, 2007

飛べない翼

Once again.

I can’t help it; I watched Lily ChouChou again and yet again (within one week). When Salyu sang her 'Wings that can't fly' and Shiori pulled the strings and beamed watching the eagle-like kites, heart wrenchingly innocent and delicate, and so happy, I wept. Could only weep, and then more weeping. I can’t describe it. just breaks me.

Towards the end I got so tense. Because I could not remember the ending. It's been...eighteen months now, and my memory appears a moth-bitten carpet. I remember...crouching in the dark watching it for the first time with you in the home sty, I remember muffled gasps and tears (was it just me..) and going to bed with heavy heart and my face somewhat swollen and neither of us saying much besides a confused, broken discussion. (think Lily Chou-Chou is in many ways always associated with those hot summer days in Suzhou and the smell of the bamboo mat in your air-conditioned room). I couldn’t remember...what happened to Hasumi after Hoshino died. When he played a few notes on the piano at home and the camera cut to his torso quite still in midair my heart clutched itself and shuddered in fear, fearing that he might have hanged himself and that I have forgotten. (But how could I, if he did such a thing, or anything at all??) The ending came to this scene, billowing sunlight and Debussy, and the resemblance of this to the Love Letter scene struck me only now. My infinite respect and gratitude for Shunji Iwai, for giving closure (like how Ondaatje said a storyteller should do), and calm, pulsing hope.

And I just got more moRE mORE nostalgic for Kokyu and Salyu-as-Lily Chou-Chou. Saw this fictional discography of Lily Chou-Chou on the wiki page, beautiful, Lily-styled names, why can't they produce all of them?!

  • 1stアルバム『ジュエル』 
  1. みずうみ
  2. 三つの扉
  3. 踊る魚
  4. 愛の実験
  5. 犬の眼
  6. オルゴオル
  • 2ndアルバム『エロティック』
  1. 共鳴
  2. 孤独の瞬間
  3. ビデオテープ
  4. 化粧をしない生活
  5. エロティック
  6. 約束の日
  7. 指先
  8. 悲しい瞳
  9. 沈黙の木
  • 3rdアルバム『呼吸』
  1. アラベスク
  2. グライド
  3. 友達
  4. 土曜日の郵便
  5. 飛べない翼
  6. セーター
  7. 飛行船
  8. 花の瞳
  9. 九月の雨の心臓
  10. 回復する傷

Thursday, January 13, 2005

2046

哪一天去看的2046?已经不记得了。

记得的只有疲软,失望,和之后去酒吧喝酒未遂的无趣。爆米花,邻座苍蝇般的嗡嗡,门口检票人的无聊。

居然,2046没有把这些淹没。

记得在《哲学与电影》课上教授打趣说,我们大概都觉得THE MATRIX跟后面的两部绑在一块不咋地,但还是拼命努力去理解它们,因为我们太想让自己喜欢整个三部曲了。所以我大概是太想让自己喜欢2046了,毕竟是第一部在影院里看的王家卫,毕竟他拍了四年,毕竟是阿飞正传和花样年华的延续,毕竟还是杜可风和张叔平,毕竟有梁朝伟和王菲和张曼玉和刘嘉玲(幛子疑可以去死了,不客气地说),连黎耀辉都还在,只是不知何宝荣去哪里了。

只是所有这些,都没能掩饰电影自身某种从内到外的疲乏无力,仿佛是江郎才尽(虽然很忌讳这么说,但这是第一感觉),我更愿意相信只是因为他累了,中年危机来临,或是哥哥的死对他心境的冲击,或是所有微妙的大小因素叠加在一起。只要不是结束。

梁朝伟

王菲
王菲算是整个电影的亮点,演出可圈可点,很王家卫,也很王菲。赞。

章子仪
作为第一女主角不得不提一下这个一身北方气息的女子。且不论怎么(负面地)定义北方气息,是种土气,霸气,硬气,还是其他,她就是与应该叫做王家卫电影的电影格格不入。一口脆生生的北方普通话,无需她的戾气或任何其他东西火上浇油,就已足够打破王家卫经营多年的那种(在其他电影里)无处无在的招牌王家卫情绪,那些靡靡,温软,暧昧,小资,忧郁,宿命,痴迷----章子仪象个总结性的反义词,轻轻巧巧就踩碎了一切。

刘嘉玲
阿飞正传里的璐璐回来了。但我满为这个角色不平的,觉得完全被利用了,用作了穿起三部戏的一根线,而角色本身的特质没有体现出来。当然这本来就是王家卫塑造的角色,应该没利用不利用之说,但这不等于剧本可以写到这样过分的天马行空。人说现代悲剧没一部像俄狄浦斯王那样的古典悲剧能打动人的,大概因为不是任何编出来的命运都是能引起共鸣的。阿飞被子弹击中突然死亡的那一刻是深刻触人的,而璐璐染满鲜血的床单则不是。

木村拓哉
这个最让人困惑----王家卫为什么一定要用木村?王家卫为什么一定要用木村?!!!我们从电影院出来,说到木村时,面面相觑良久,除了“开拓日本市场”,想不出别的理由。并非偶anti 木村;论长相他还过得去,论演技也是有的 (But too contrived in 2046. makes you feel he just tried too hard.)只是剧情根本就不必这么编,根本不必有个日本人在里面,左右不是人地不知所云。小资的王家卫电影从不带什么政治色彩,就像早期的周星驰电影纯粹的无厘头一样。只是周星星成功一跃,一大话西游似无厘头又不似全然无厘头,到了收放自如的境界;而王家卫这次的编剧在我看来是够失败的。日本从来就是敏感话题,也从来没给人什么灰色区域让人游移回旋的,而王家卫呢,让作家梁朝伟半自传半科幻地写了个2046,男主角是日本人,女主角是机器人,而每每你以为他要表达点什么了的时候,他又缩回去了。真正是又鸡肋又鱼骨。闷气。

巩俐
起初听说巩俐扮演的是苏丽珍,非常反感。花样年华里张曼玉的种种,岂是她一辈子可望其项背的;大牌如她,做人也还需有自知之明吧。电影里她是第一个出场的女人,一个只穿黑色砍去了左手的职业赌徒,同样如张曼玉般高高挽起的发髻,却只衬出她脸庞的苍白浮肿。混乱了一会才弄明白,此苏丽珍非彼苏丽珍,大松了口气。这个本来很有看头的故事,却只最多是2046众多杂乱线条中无足挂齿的引线,而这个应该从“金边”来的角色,讲的却是一口山东普通话。浪费资源。

张震
一直非常喜欢张震,这个大男孩/男人混合物,那般野性的俊美的脸和舒服的声音,那么好的演技,也幸运地受到了他应得的重视。
但不是在2046里。在2046里我甚至都没看见张震出场的镜头,尽管我全程瞪大了眼找他。后来到处问,人说,有的有的,在银幕的一角晃了一晃,就没有了。后来我把电影下载下来了,再看时,眼睛都快掉出来了才瞅见他,果真是晃晃就没。王家卫搞什么啊?!!


评论/留言

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作者:Slappujudu  时间:2005-1-13 13:54:35

天啊!!! what happened to 张震??! 我对他印象也很好的说! 虽然还没看2046,但有一点很肯定了,错误利用资源/不会利用。木村完全是市场考虑[说到这儿,让我差句嘴,Howl''s moving castle''也是为了市场考虑让木村来配音,以往声优全是精挑细选的尖子,木村。。。听听他独唱lion heart,如果有的话,谁会看上他呢。。。] 不过一个导演的一起一落也相当正常,就好像画家短时间没了灵感一样。还是继续支持你的王家卫吧!只是希望他不要再用獐子一了,哎,她怎么就红了。。。
??梁朝伟咋没有评注哩?!

Tuesday, November 30, 2004

American Indian Myth

American Indian Myth

White Buffalo Woman

The people saw her walking off the sam direction from which she had come, outlined against the red ball of the setting sun. As she went, she stopped and rolled over four times. The first time, she turned into a black buffalo; the second into a brown one; the thrid into a red one; the fourth time she rolled over, she turned into a white buffalo calf. A whilt bufalo is the most sacred living thing you culd ever encounter.

'Winchinchala' meaning the girl you are in love with
There is no place in the village where you could be left alone. The only chance to show her that you are interested is to wait for her at daybreak when the women go to the river or brook with skin bags to get water. When the girl you had your eyes on finally came down th ewater trail, you popped up from behind some bush and stood so that she could see you.
-from 'The Legend of the Flute'

How the Sioux came to be
The Great Spirit, Wakan Tanka, became angry with the earlier people on earth and sent a water monster to cause a great flood. People climbed to the highest land they could reach but even that was to no avail. All killed except one girl who was carried off by a big spotted eagle, Wanblee Galeshka, who took her to his nest on the tallest pinnacle of the Black Hills. The woman and the eagle had children together, and when the water finaly subsided, Wanblee helped the children and their mother down from his rock and put them on earth, telling them: 'Be a nation, become a great Nation- the Lakota Oyate.'
So we descended from an eagle nation...


And therefore the sacred pipe is also something that binds men and women together in a circle of love. It is the one holy object in the makin gof which both men and women have a hand. The men carve the bowl and make the stem; the women decorate it with bands of coloured porcupine quills. When a man takes a wife, they both hold the pipe at the same time and red trade cloth is wound around their hands, thus tying them together for life.
'White Buffalo Women', as told by Lane Deer


All the above excerpts from the movie script 'Dances with Wolves', starring Costner

Saturday, November 27, 2004

mentantei conan's ending

it won't sound nice, but again it might be rumour

conan-returned to shiniji, and went to school again with ran

haibara- lost her memory in the final battle with the dark force, didn't return to her true self, continued to go to primary school with the other 3 kids.

there isn't enough potion for the 'transformation', in the final battle, there's a explosion and all the data n chemicals are lost, only one small ampule remained-just enough for conan to reutrn to shinji

the hook- although haibara lost her memory, when she looked at conan's photo, she cried. maybe deep in her memory, she still remembered.

the secret- ayumi saw conan turning into shinji, but she promised she'd keep the secret. she kissed shinji, as if saying goodbye to conan.

what jude thought- this sux. my haibara...

--------------------
comments

2004-11-27 10:45:08
作者:Slappujudu
really sux sux sux, our haibara
i'm gonna personally throw knives, rotten vege(downstairs from canteen), dynamites to that aoiyama if he ends it like that.
TMD
if he's going to make haibara lose her memory, let it be completely clean so she can start as if born, not with traces of conan!!!!!!!!!!!!! not acceptable

2004-11-27 10:26:38
作者:Stickyjady

what jady thought—this ending really sux. As a pervert I do so often tend to sympathize with the eccentric, outcast, less fortunate figures, and you bet I love haibara more than ran…but then again, the script writer(s) got themselves into this impossible mess of relationships and circumstances it’s impossible to pull themselves out without writing some heart wrenching ending that's bound to compromise one character or another……and of course, it's usually the social outcast that got ditched….I AM HEARTBROKEN WUWAWAWAWAWAAAAAAAAAAAA………

J & J, moviegoers

movies we watched together,
Stick, help me complete this

not in chronological order

the English Patient
Men of Honor,
5th Element
What dreams may come
Spirited Away
Cowboy Bebop
Troy (the last one i guess)
Red Dragon
Matrix Revolution
Dead poets' society
Charlotte Grey
花样年华
Good Will Hunting
Lolita
Dance with me (did we really watch this stupid jap movie together?)
Legend of the Fall (many times)
American History X
Gangs of New York
Detective Conan (many episodes)

... memory not working well

movie reviews, c'td by stick
I’ll transcribe the list wholesale. Can’t really recall which (rare) ones I watched on my own, in the ennui of pre-exam days when everyone else freaked out and really studied, and I continued on my movie watching quest, doomed/dead-pig-unafraid-of-boiling-water style. Or no-coffin-no-tear style. Whichever you think is more accurate.

Bodyguard—sucky really, in the humble opinion of Stick. Saccharine and predictable. Racist and male chauvinist. Still, how we swooned whenever Costner appeared onscreen……hopeless pair of dudes.

Keep the faith—Norton! Yes, Norton Norton Norton! More of him please! What’s that goofball guy doing there, what’s his name? Never mind, Norton is all we want, face and voice, body and soul…(getting obscene…)

A streetcar named desire—remember how we anticipated this famous classic to rock our lives? And it really did, baffled and screwed our brains more like, and not for just that one night. What was your reaction? MY head was spinning afterwards. The inimitable Vivian Lee rules the silver screen as an actress, and despite/because of that her personal life a complete wreck from that point onwards. Brando, well, I need to watch more of his films to give a creditable opinion. Only this much I know: I liked him in that film.

My big fat greek wedding—too high an expectation made this comedy looked pathetically average. Might be cultural barrier that reduced the force of some of the comic elements in there, but hey, don’t we always love the Greeks?

Traffic—well, hard to write anything on this one except it’s about drug trafficking and lovely Zeta Jones is in there, so is her oldman hubby whats-his-name-again whom we have always been quite unable to bring ourselves to even remotely like, save comprehend what Catherine saw in him. The movie had some strong message, I wish I only knew what it was.

American history x—Edward and Edward!! I mean Norton and Furlong!! I’ll refrain from writing anything here and save every bit of energy it induces in me for a future, FULL review of this mesmerizing film. Agree?

Monster’s ball—you loved this one so much you bought it. Which always sort of puzzled me because though I admit I liked this film very much I’d hardly ever have the guts to watch it again. I can sit through all the violence and racist talks in American history x alright, but not the terrible, despairing plot playing around death in this one…when the young son pointed the gun towards his heart and shot himself dead, my heart missed several beats, feeling the pain reaping through itself. A dark heart with an unhealthy overdose of empathy makes one miserably allergic to films like Monster’s ball. Do write a review on it sometime, Slap. I wish to know very much what it is to you.

Chicken run—stupid family fun. Couldn’t recall why the hell we watched it. Probably ran out of things to borrow on that particular day. Review it if you like, I am not gonna do it, even for remembrance’s sake.

Sweet November—how could you have possibly failed to mention this one?! It’s about one of the first few movies we watched together right? And it made good, cozy memory. We adore Reeves, this sad-faced semi Chinese man, so incapable of conveying internal feelings through facial expressions and body language yet often fortunate to find roles that demanded exactly that incapability. This one, and Neo, and what else.? And yes yes I know you are growing impatient here—charlize theron! It should be “!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!” if my hands were Slap’s. Alright, I’ll leave that half to Slap to review. All I have to say is, she’s an angel.

MORE TO COME…..i am getting very fatigued right now. It’s almost 2 am and I’ve spent the whole evening playing tennis (picking up balls most of the time). Sore……I’ll drop the rest of the list here, which you might like to briefly review. Hehe up to you. No division of labor here. Only preliminary stuff here anyway, more extensive, detailed reviews to come…

Jerry Maguire
Marvin’s room
The graduate (hahaha and your leggy encounter afterwards)
Spirit—stallion of the chimeras
Silence of the lambs
Harry potter
Catch me if you can
Chicago
The talented mr ripley
12 monkeys
being john malkovich
someone like you
the portrait of a lady
adaptation
almost famous
the hours
pirates of the caribean. Did we watch this together? (slap: no)
lord of the ring!!!

lemme point out that from the above list,
12 monkeys
being john malkovich
the portrait of a lady
adaptation
almost famous
the graduate

i missed them

ok will keep loading
on why slap likes monster's ball so much to the point of buying... well, i must confess i never ever watched it for the second time. and yes i can never forget that single bullet that sent his son away. it's a morbid film and gives me a very yellowish burnt feeling, something that's reminiscent of the species I,or is it I, that took place in a rather outcast space ship, it was the same faded yellow, a sigh of plague n illnesses. it must be the music that aroused my nerve. it was raining. those two people weren't talking. most of the time it was just still frame, that's why i liked it so much at the moment coz i expected a quiet or even wordless film that would weigh your heart down. it was really a very quiet film, it gave me lots of time to ponder while it was still playing. him sitting there asking for a sunday, or was it banana split, them mesmorized by the midnight sky sprinkled with stars, them sitting, standing, everything except talking. if they allow the background music to be erased off, i'm pretty sure it is frequent intermissions of silence. even the ending is soundless, as if theif sneaking away on tiptoe but the household would be different after. so much for monster's ball, i might watch it again.

A streetcar named desire- stick, was it 3/4 through the film we came to the realization that desire was the streetcar, or was it just me that was so mentally stomped by the complexity of their overexpressive language that i hardly catch the word 'desire'. i wasn't a vivan fan but i have to admit she's brilliant in that movie, how she acted so beside herself, but, well, i'm not giving any comments till i read the play.

Bodyguard- as much as i hate to admit it, what you said is absolutely right. still, allow me to revisit some of my top choice scenes in this movie.
1. costner(wat's his name in the movie?) watching huston on screen, alone at night, he was literally STARING he looks most charming when he's serious, very intense GREENISH BLUE gaze(stick, ou'll have to back up on this)
2. how many times costner watched the samurai movie, was it 55?
3.(sound of glass breaking) costner jolted back to 'bodyguard mode', very alarmed, held houston closer and surveyed the surrounding.
houston: don't worry.(half serious)
don't worry, i'll protect you.
4. of course before that, costner's fav cowboy song playing on the dance floor, i'll always love you. which echos back to the ending.
5. houston's ex-bodyguard tony, wanted 'an answer' from costner. fights took place in the kitchen. costner used a small handy knife to cut apple, horrizontally sliced it into thin plates.
cough, change topic. should stop huachi-ing.

Marvin's room- brilliant, touchy, down-to-earth movie. leonardo's not the protagonist though. remember the song 'two little sisters'? i'll leave this review to you, haha.

lemme review all the animes we watched together
worst first,
chicken run- who borrowed it, own up. those bloody british accented female chickens! and a yankee clown rooster!!!!! and how they interbred!! on a no man's island! and they know how to fly just like the Wrights brothers. i love chicken meat btw, just had them for dinner.

here comes the better,
cowboy bebop- knocking on heaven's door. what an pandemic bioterrorist strike, if u can still remember the whole bloody plot. the suspicious looking virus which mimics harmless looking normal lymphocytes. the message goes something like matrix 'are you living in the real world?', we can't blame it coz the director also made one episode out of animatrix, the last one on the brave detective who in the end, pointed a gun at 3 x agent smith or smiths, and who knows what became of him after that coz the screen went black. dazzled by martial fights scenes, and how Spike never died. and of course the golden butterflies that dance so dangerously beautiful, until they cover up the whole sky and you know you're dead.

spirited away- we all love the seaaaaaaaaaaaaaaaaaaaaaaaaaa, the pictures and the music. ever dreamt of riding a train that glides on water? and far away from the window the small white house standing peacefully on an island dressed golden by dawn. it steals the mind away. and we're not going to share it with anyone else!! we selfish slapstick are going to get lost in this quiet fantasy and not letting others disturb us. and the lamp-headed stick that jumps around and guides the guests through the forest, how warm that hut looks. pets spinning threads and cakes served on the plates. it's like another dream in a deep dream, when you wake up you're still smiling. title song-always with me, memory and courage that's not to be taken away. did you enjoy the rather ambiguous ending? 'one day we'll meet again'


more to come!